Luckily we found some more investors while shooting, so we were able to go to editing after principle wrapped. And at the time of shooting we only had enough for principle photography which meant everything would grind to halt after the shoot. That done, the next hardest thing was to try and raise the money in six weeks! I knuckled down to 10 pages a day, and a week later we were all sitting around a table reading the script and laughing. At this time, I hadn’t written the feature length script. The only time they were all available though was in seven weeks time from the moment we decided to expand it, and they weren’t available again for a year so it was going to be in or probably never. The main problem was getting the same cast back to revive their roles. The response that the short film got from the film festivals prompted me to expand it for a wider audience to see, we were going to go back two years later and add 70 minutes to an 18 minute short! The biggest problem was the fact that the feature film version was to include the 18 minute short of the same name. What were some of the biggest challenges you faced in developing “Cashback?” My only goal was that it be a sweet little film that might talk to the people that think or feel the same as the lead character. I made the film the sort of film that I thought I myself might enjoy watching. Sean Biggerstaff in a scene from Sean Ellis’ “Cashback.” Image courtesy of Magnolia Pictures.Įlaborate a bit on your approach to making the film and your overall goals for the project. The basic idea of a character who manipulates time was born at that moment. I thought it was funny that in the past I thought there were too many hours in a day and now I thought that weren’t enough. In the supermarket, I saw a shelf stacker and it reminded me of the boring jobs I used to have. I had just finished a photo shoot where I ran out of time and didn’t get all the shots that I wanted to get. The idea came from being in a supermarket late one night. Please give some insight on how the idea for “Cashback” came about. Having said that, I’ve always had a desire to be a stuntman and like Barry in “Cashback,” I used to launch myself down steps in a cardboard box when I was a kid. You learn so much by working with people that know more than yourself. You get to do everything and you are surrounding yourself with the best talent for the jobs in hand. I really think that the best job is directing. Commercials followed, but since I loved films, I was very eager to start working with story structure and actors, and so I then started to write and direct short films.Īre there still other aspects of filmmaking that you would still like to explore? #Cashback movie cast seriesAround this time I had the chance to actually makes my still images move and embarked on a series of video clips for bands that appreciated my fashion work. I started to make a living from photography and become known for my fashion images. During the ’80s, video rental was huge and I rented two movies a day, and my interest in photography and movies grew side by side. At the same time, I was very obsessed by cinema. The penny dropped and I realized that I could put the images that were in my head onto paper by using the camera. #Cashback movie cast how toWhen I was 12 my dad showed me how to work a stills camera. I always felt I was artistic but couldn’t draw. What initially attracted you to filmmaking, and how has that interest evolved during your career?
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